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Upcoming Events

Doors open at 7:00 pm; show at 7:30 pm

Oswego Music Hall Ticket Information:

  • Season Pass Holders purchase the entire season at a discount.  They get the best seats in the house which are typically upfront tables.  Anyone sitting with pass holders must purchase VIP seating.  

  • VIP seating (typically $5 above general seating) is preferred, forward seating.  It is usually table seating.  

  • General seating is the balance of seating in the house.  Any ticket level may sit there. 

  • NOTE: Ticket prices listed here for individual shows DO NOT include Eventbrite fees.

National Stage

Kaia Kater   (Khalil Jade opening)

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--In collaboration with Pink Rock Culture Co-op
November 1st    $20-25

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“…plaintive, mesmerizing…writes and performs with the skill of a folk-circuit veteran…” – Rolling Stone
 

“...One of the most remarkable Canadian folk records in some time ... Kater's music is somehow ancient and brand new at the same time.” - Tom Power, CBC Radio 2


2025  JUNOS Contemporary Roots Album of the Year Winner
2025 International Folk Music Awards Nominated

Montreal-born Grenadian-Canadian Kaia's jazz-fueled voice and deft songcraft have garnered acclaim from NPR's Tiny Desk, The Guardian, Rolling Stone and No Depression. Through her artful banjo playing and lush songwriting, Kaia draws on influences rooted in Quebec, the Caribbean, and Appalachia, all of which reflect the diversity of her background -- her ties to the Canadian folk music scene, her college years spent soaking up Appalachian music in West Virginia, her father’s experience growing up in Grenada, and her recent work in film composition.

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Kaia Kater’s new JUNO Award-winning album, Strange Medicine (Free Dirt Records/ acrönym in Canada) was created during a period of deep self-reflection and reinvention.  Taking the helm as co-producer, alongside Joe Grass (Elisapie, Barr Brothers), the album finds Kater expanding her creative scope with cinematic arrangements, and working with guest artists such as Taj Mahal, Allison Russell and Aoife O’Donovan. The album celebrates the power of women and oppressed people throughout history, while also sharing meditations on her own life.

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Kaia released her first EP Old Soul (2013) when she was just out of high school. Since then, she’s gone on to release several albums, Sorrow Bound (2015), Nine Pin (2016) and Grenades (2018) and Strange Medicine (May 2024).  For the JUNO-nominated and Polaris Music Prize long-listed Grenades, Kaia leaned into a wide array of sounds and styles in order to convey a broad range of emotions and topics, most notably her Caribbean ancestry and her father’s experience as a refugee in Canada. 

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In 2020, Kaia took part in the Slaight Music Residency at the Canadian Film Center, leading her to write original music for The Porter (BET+ 2022), for which she garnered a Canadian Screen Award.  She also wrote and performed music for the new film, My Dead Friend Zoe (March 2024).

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Website: https://www.kaiakater.com/

Video: https://youtu.be/5IE0F3wViDk

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​Website: https://khaliljademusic.com/home

National Stage

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Abby Posner  (Jessie Elizabeth opening)

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Abby’s songs have been critically acclaimed, winning the 28th Annual USA Songwriting Competition in 2023!

“Abby balances authenticity & vocal prowess on alternate tuning stunner “Simple Life” - Glide Magazine

November 15th    $17-22

Abby Posner has been a working musician in Los Angeles for the past 18 + years.  She is best known for her ability to play nearly any instrument that she can get her hands on, twisting genres, and pushing the boundaries of folk, roots, electronic, and pop music making her "Genre Fluid." If you have seen Abby perform live, you know she can play a fierce lead-blues guitar solo, or throw down a complex Earl Scruggs banjo riff. You also may have spotted her playing drums, mandolin, or bass while using her looping pedal. In addition to her versatility, she puts passion and soul into everything she does.  Posner's live shows are simply mesmerizing.  Her energy is comparable to Chris Thile of Nickel Creek, and The Lumineers.  Posner’s songs range from intimate haunting folk songs, to upbeat festival/dance your pants off hits.

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This CalArts music graduate has composed & produced music for commercials/TV, films, and radio shows all over the globe (including Hulu’s Maggie, The Fosters, This American Life, The Art of More, and Last Tango in Halifax, custom songs for Facebook, Viacom-CBS, and CW’s Kung Fu). She also has music placed in commercials and TV shows all over China, Sweden, The UK, and Australia. Posner appeared in two episodes of GLEE in season four, playing banjo and guitar, and the Freeform show Famous In Love playing banjo, as well as performing live several times on KCAL 9 news and Good Day LA.

Abby has also scored the music for multiple films (Across Land Across Sea, Through Their Eyes, award winning short animation Elizabeth Sees, and recently scored the Award-winning Documentary Lady Buds) while playing and touring all over the US.  In 2019 Posner played banjo and sang Wagon Wheel as a featured principal role in Bank Of America's ad campaign for the Ken Burn’s PBS Country Music Documentary alongside Dom Flemons and Amythyst Kiah.

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After signing with Gary Calamar’s licensing company Laurel Canon in 2016, Abby Posner has gained major recognition in the LA music scene, opening for such iconic acts as PHRANC, Sierra Hull, and Dustbowl Revival.  She has released multiple albums under her name, and Abby & The Myth, and recently released her first full length album under Blackbird Record Label in 2023 titled Second Chances. 

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Abby Posner teamed up with Ships Have Sailed to write hit song Get Loud in 2023.  Get Loud continues to Chart the Alternative Rock/indie Radio charts, and won the grand prize in the USA Songwriter Competition in 2023.

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Website: https://www.abbyposner.com/

Video: https://youtu.be/2wsViCAgWlk

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Jessie Elizabeth website: https://jessieelizabeth.com

Guest Curator Series
Curator: Dave Kaspar

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#JazzByTheLake:  Actual Proof

November 21st   $17-20

The final show of the Fall season showcases the Quintet Actual-Proof: ive amazing artists who share a common vision and sensibility for Contemporary jazz. 

 

Saxophonist/Flautist Brian Scherer is an active touring artist both in New York and Florida. Locally, he has been a featured player with The Maria DeSantis Orchestra, ESP, Funky Jazz Band and his own Quartet. Nationally he has shared the stage with Don Menza, Count Basie, Frank Sinatra Jr, and Martha Reeves, to name a few. 

 

Bassist Ronnie France has a long local history working with Atlas Linen Company and Ronnie Leigh and Alliance. Nationally, he has worked as a touring bassist with Doc Severinsen. He has shared the stage with Paul Shaffer, David Clayton Thomas, and drummers Steve Smith and Dennis Chambers, and many more.

 

Guitarist Rick Balestra has been a featured soloist with The Syracuse Symphony Orchestra, Pops Orchestra, and Syracuse Opera Company. He is currently a professor of guitar at Colgate University, Hamilton College, and SUNY Oswego. For ten seasons Rick was the founder and facilitator for The Jazz Guitar Festival in Upstate N.Y., where he shared the stage with Peter Bernstein, Vic Juris, Mike Stern and many more. 

 

Keyboardist Ed Vivenzio had major label success with the rock band 805 in the 80's with two releases on the RCA label. Since then he has played contemporary jazz around CNY with Dave Hanlon's Cookbook, Funky Jazz Band, and the Dave Hanlon Trio.

 

Drummer Evan DuChene toured with Inner City recording artists Dry Jack, backing such artists as McCoy Tyner and Freddie Hubbard. Locally, Evan is a member of the Sammy's winning group ESP. He's also a member of Monk Rowe's Ensemble, Five Families. 

 

This is presented by The Ontario Center for Performing Arts Guest Curator Program and made possible in part by The New York Council on the Arts. 

National Stage

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Mad Agnes

December 6th    $17-22

“Setting the standard high, Mad Agnes offers great harmonies, a sense of humor and a theatrical flair…” - M. Jackson – Forksville Folk Festival

Mad Agnes has won hearts on two continents with their signature intricate harmonies, compelling songwriting, and passionate delivery.  The genre-bending trio—Margo Hennebach, Adrienne Jones and Mark Saunders—creates an exciting, inclusive performance, delivering new original songs, selections from their thirteen album catalog, story telling and impromptu vocal improv. 

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In their current iteration, Mad Agnes uses primarily one microphone around which they form and re-form, early-radio style. Their ease with one another on stage invites the audience into their world of human connection and spontaneous fun. Well-crafted instrumentation – using guitars, mandolin, ukulele, piano, melodica, an inventive keyboard and three-part harmonies as tight as jeans from the dryer – enthralls audiences again and again. Mad Agnes’ latest recording, Likely Story, was released on Feb. 1, 2024, and is being nationally promoted from Feb-April. 

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Mad Agnes has performed internationally at listening rooms and festivals, including The Greenwich Village Folk Festival (on-line), The Kerrville Folk Festival (TX), Mountain Stage New Songs Festival (WV), The Birchmere (VA), The Frick Pittsburgh (PA), The Forksville Folk Festival, The Sellersville Theatre, Bethlehem Musikfest and Godfrey Daniels (PA), The Bitter End and the Towne Crier (NY), Old Settlers Inn (KS), WFMT’s Live Stage (IL), Cedarburg Cultural Center (WI), Sunrise Civic Center Theater (FL), University of Hartford and Cheney Hall (CT), The Ark (MI), and First nights Morristown (NJ), Northampton (MA), Worcester (MA), Cropredy Festival (England), Swanage Folk Festival (England) and Fylde Folk Festival (England), at private events and a gaggle of house concerts. Mad Agnes was also honored to be formal main stage artists at the SW-2007 and NE-2004 Regional Folk Alliance Conferences.

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Website: https://madagnes.com/

Video: https://youtu.be/hpcJs7FHEAM

National Stage

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2026 Winter/Spring Season Preview

Tickets for this season will be going on sale soon.

January 10th                                     Joe Crookston

January 24th                                      Driftwood

February 7th                                       
TBA--exciting announcement coming soon!

February 21st                                     Black History Month
                                                              Co-bill with Julian Taylor & Crys Matthews

March 7th                                          3rd Annual Women in Music Show
                                                             The Rebel Eves (Amanda Rogers opening)


March 21st                                         Liz Longley

April 11th                                           Partner Series
                                                             Co-bill with The Rough & Tumble and The 
                                                             Honey Badgers

April 25th                                          An Evening with Tom Rush accompanied by 
                                                             Seth Glier

May 9th                                             Season Finale & Emerging Artist Showcase

Winter/Spring 2026 Season

National Stage

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Driftwood

January 24th  $20-25

Music has guided Driftwood to hallowed ground many times since its founding members, Joe Kollar and Dan Forsyth, started making music as high schoolers in Joe's parents' basement. Whether the Upstate New York folk rock group—which today also includes violinist Claire Byrne, bassist Joey Arcuri, and drummer Sam Fishman—are converting new fans on a hardscrabble tour across the country or playing to a devoted crowd at hero Levon Helm’s Woodstock barn, the band’s shapeshifting approach to folk music continues to break new ground. And yet in many ways Driftwood's latest work, the transformative December Last Call, finds the group coming home. 

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Recorded in that very same basement where the Driftwood dream began, December Last Call lyrically reflects on the recent past, musing on the ways the group grew up, together and apart, through curveballs like new parenthood or pandemic shutdowns. But sonically, the band’s sixth album looks confidently to the future, experimenting with new sounds while staying true to the bluegrass roots that built them. Across the album’s nine tracks, the band often leans into hard-rocking electric guitars and driving percussion: On “Every Which Way But Loose,” we get a foot-tapping beat and a sweeping chorus, and on “Up All Night Blues,” the band shines with an ambling, sing-along-able reflection on the challenges of new motherhood. But other tracks, like standout closer “Stardust,” take a simpler route, allowing bare-bones vocals and acoustic instrumentals to underpin a deeper emotional message.

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One of Driftwood’s biggest differentiators—and perhaps its biggest strength—is the sheer breadth of talent in its lineup, with Claire, Joe, and Dan all contributing as songwriters and vocalists. This creative push-pull, where each selects songs to share with the group and record together, bakes vulnerability and collaborative spirit into every recording. “It's at the heart of what we do,” says Dan. “Everybody has a strong love for songs, for songwriting, and we each appreciate everybody else and the way that they contribute to that.” 

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While 2019’s acclaimed Tree of Shade tapped Simon Felice as producer, the band opted to self-produce this latest effort, leaning into their creative impulses and striving to capture their distinctive live energy. Figuring out how to channel that on-stage intensity into a recording has actually, in many ways, been a lesson in restraint. “When I look back at the things we were writing and playing, oh, I don't know, 10, 12 years ago, they were really arranged: a lot of you do this here, we're going to do this there, we're going to break down, we're going to do a big build,” Claire explains. “These days, it's more like, ‘Let's play the song and just see what happens.’”

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This approach makes all the more sense when you consider Driftwood’s live shows, which operate not only as effervescent, twang-studded musical parties, but also as reunions for their throng of devoted listeners—folks who have started to feel less like fans and more like something bigger. “They're supporters. They're friends,” explains Joe. “It's crazy how much love we've got and how many wild situations on the road we've gotten out of because of those people.” Many of them are quite literally invested in the band’s future: December Last Call was a crowd-funded effort, and it wasn’t the band’s first. It’s as if every listener, ticketbuyer, album backer, and general band evangelist is in on Driftwood’s biggest secret: this whole band thing has endured for nearly two decades because it offers a kind of community you can’t get just anywhere.

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“Driftwood is basically a beautiful friendship that happens to play music together,” says Joe. “I know it's rare. I know I'm lucky to know these people and lean on them and go through these massive life changes together.” For Driftwood, each song is like a journal entry: cathartic to create, yes, but capable of unlocking new lessons—and when shared—forging new bonds. “We're communal, right? Humans need to be connected,” Joe says. “And we get to have this special thing.”

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Website: https://www.driftwoodtheband.com/

Video: https://youtu.be/4J0XcJfddFk

National Stage

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Liz Longley (Cam Caruso opens)

March 21st  $20-25

Billboard: "...from Americana to gospel-flavored soul to shimmering pop anthems and touches of jazz!"

 

Funeral For My Past's warm sound was curated by 5time Grammy-nominated producer Paul Moak (Mat Kearney, The Weeks, Caitlyn Smith). Liz launched a wildly successful crowd-funding campaign that placed her as the fourth most-funded solo female musician ever on Kickstarter history. Her deeply devoted fans contributed over $150,000 in order to help her purchase the rights to and independently release Funeral For My Past, far surpassing the initial goal of $45,000. The elements of Longley's demeanor that have helped foster such a connection with her fans show up throughout the album itself: it's at times cozy and heartwarming, but with a bite that makes each track difficult to forget.

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Website: https://www.lizlongley.com

Video: https://www.youtube.com/watch?v=P1hrm8f6oqs&t=4s

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© 2022 Ontario Center for Performing Arts

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